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In my opinion, speaking as a screenwriter and a script reader, Final Draft is missing the big boat right now.Īnd that boat is: everybody’s now a screenwriter.Ī skiff attached to that boat is the fact that those screenwriters are moving faster and faster away from the “desktop” application, and more towards tablet-based apps and mobile apps.įinal Draft appears to have caught wind of this, and has developed their Final Draft Writer app for the iPad.īut here’s the big problem: That one’s $49, which, granted, is a welcome break from the $250.
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If Final Draft were to suddenly cut their price from $250 to $79, granted, a lot of old school screenwriters and industry professionals who use it might – might – take pause, and question whether or not their favorite venerable screenwriting software standard has dropped some of its features.īut is Final Draft really worried about that? Yet there’s something to be said about keeping your flagship product at a premium price. It had Word, Excel, Powerpoint, and a precursor to Outlook called Mail. There are tons of great things about Final Draft, and most folks wouldn’t dream of trading their Final Draft for another screenwriting app.īut remember 1992? That was the year Microsoft released their first Microsoft Office package. But I don’t blame Final Draft – they’ve created and marketed a great product that basically came to dominate the screenwriting space.Īnd that wasn’t just through great marketing. $250 is a big chunk of change for most screenwriters. To strain a metaphor, it feels like I’m driving a 1994 Ford Taurus in the age of the Smart Car and the Mini-Cooper.ĭislike 3) The price.
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That “1990’s desktop” feeling permeates Final Draft, and its cousin, Movie Magic Screenwriter.
The game has changed when it comes to simplicity and elegance. someone who’s worked in IT, designed networks, and built and repaired pc’s and macs for 30 years, AKA “a total computer dummy.”)ĭislike 2) The interface/user experience.
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I reserve that for folks like the Westboro Baptist Church, Monsanto, and shows like The Bachelor.īut what do I strongly dislike about Final Draft?ĭislike 1) Its penchant for crashing in the most inopportune moments, no matter what version I have, and no matter whether I run it on my PC or my Mac. What do I hate? Well, “hate” is a strong word.
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And 95% of the time, that’s either a PDF or, you guessed it, a Final Draft file.) (And if you’re running a script coverage service like me, you need to be able to open whatever file the client sends in. Writerduet and Trelby), Celtx is easily one of the best.What do I love? Its ubiquity: Everybody uses it. Although there is similar production software available (eg. The free version contains enough features for a small team of creatives, but if you run a sizable business, you'll need one of the subscription plans.Ĭeltx runs smoothly in most browsers, more especially in Google Chrome and Mozilla Firefox. The software can seem daunting at first, so there are also extensive guides to help you get to grip with your project. Every subscription supports up to 10 projects. Finally, the Game Production plan contains interactive features. Next, a Video Production plan comrpises a shot list, breakdown, and scheduling options. There's a scriptwriting package that includes script, screen and stage play formats, and an offline mode. SubscriptionsĪll of the above features are available in the free version of the software but, as you'd expect, there are paid subscriptions with additional features.
Everything is geared towards partnership. There's an exchange to find collaborators, and the Production tab opens up existing projects from other users. Celtx offers real-time collaboration, a project command centre, team permission settings, and dedicated customer support and training.